Bestselling author Ashwin Sanghi says that it is indeed possible to 'attract' good luck!
Of all the tremors to rock the start-up world of late -- Snapdeal's layoffs, Stayzilla's shutting down, Flipkart's frequent devaluations -- nothing will match the rumble at ShopClues for poignancy.
For starters, Mad Max: Fury Road is gloriously nuts, says Raja Sen.
Dil Chahta Hai revolutionised the language of Hindi films. Sukanya Verma shows us how.
Akhtaruzzaman Elias's The Raincoat describes the effect of the 1971 war on a college and on one of its teachers in particular.
Arun Karthick's Nasir is not the story of one man. It's a documentary on the scary, majoritarian, hateful road India has taken, discovers Mohd Asim.
'Lhasa is more than the Unesco World Heritage Sites it boasts of. It is more than a gateway to the mighty Himalayas.' 'It is about the warmth of its people: Unsaid, unspoken, but felt everywhere,' discovers Shruti Bajpai.
This restaurant channels the spirit of laidback Goa in the heart of frenetic Mumbai.
'Omerta is a work of true moral force; it is, at the risk of sounding fancy, a motion picture for our times,' says Sreehari Nair.
Bang in the middle of Chennai, A Ganesh Nadar experiences a culinary delight that brings back fond memories of his childhood.
Watch the trailers and predict the winner.
Every single one of Parinda's magnificent frames is a masterclass in slick. Sukanya Verma tells us why.
Director Matt Brown tells Aseem Chhabra/Rediff.com what it was about The Man Who Knew Infinity that made him persevere for a decade to turn the book into a film.
Dayanita Singh, artist and curator, is giving photography a new art form.
As Melania Trump arrives in Ahmedabad, Sheela Bhatt offers the First Lady Of The United States a primer on one of India's oldest, and historic, cities.
R K Studios is not just another piece of real estate; it is part of India's movie history.
A Harry Potter walking tour in Edinburgh takes Veenu Sandhu to places that may have inspired the characters.
One warm sunny day, Abhilasha Ojha stumbles upon the soul of Bahrain.
The Hindutva brigade's silence on the rape may possibly be explained that this incident is an intra-Hindu affair for them. What is even more intriguing is that vocal gender activists have preferred to almost ignore the incident. Why? Is it because homosexual rape does not involve the woman either as victim or as aggressor, asks Mohammad Sajjad.
Both stars suffer from delusions of grandeur, feels J Jagannath.
'It was fun trying to regulate ourselves and keep it in the family zone and yet, be tongue-in-cheek.'
Home-grown taxi booking companies which have a business model similar to Uber's might have stricter security norms imposed on them.
Harnoor Channi-Tiwary visits the spanking new restaurant and returns impressed.
Kashmir was indeed in need of a messiah that summer; 70 per cent of its population aged below 31 were up in arms against the Indian State. Every nook and corner of the land brought forth stories of youngsters with crushed bodies and an unfaltering spirit.
Sreehari Nair is *not* impressed by this lot of films at all.
A former US military lieutenant travels to India to fight a battle of another kind. Archana Masih/Rediff.com met Robin Chaurasiya and the girls whose lives she is changing -- one day at a time.
The dairy has no plans of a sale
Princess Shivranjani of Jodhpur is breathing new life into dead forts and quietly changing the house of Marwar.
S Saraswathi profiles the trauma faced by two families in the Chennai floods.
Intensive training and meticulous planning have gone into the making of Dangal.
In the pitch dark of the African night, a herd of cape buffaloes gather at the watering hole for a drink, taking care to stay by the edge to avoid the crocodiles lurking in the depths. In Gangiova, a village in Romania, a doctor places her stethoscope to the chest of a newborn baby, listening intently for the beating of his tiny heart. These are just some of the moments that have been picked by the judges for the Sony World Photography Awards. For the 2017 competition, photographers entered 227,596 images across the awards' Professional, Open and Youth categories. The Open competition winner will receive $5,000 (Rs 3.3 lakh), Sony digital imaging equipment and flights and accommodation to the awards ceremony at Somerset House in London. Sony World Photography Awards has been kind enough to share some of their shortlisted pieces with us.
No one on that glittery occasion could possibly have imagined that the Chinese were conspiring to invade India, nor could anyone have predicted that the seemingly benign Dalai Lama was plotting to flee Tibet and seek asylum in India. A fascinating excerpt from Sukanya Rahman's must-read Dancing In The Family: The Extraordinary Story Of The First Family Of Indian Classical Dance.
Incoming US President Donald Trump has assembled a core team that is -- not surprisingly -- overwhelmingly white and male.
'I did not ask their religion when I rescued them and they did not ask my religion when I helped them get onto the boat.' 'The moment I came out of my house on this mission, I am an Indian, I am a human being,' says Mohamed Yunus, who helped save hundreds of people on the flooded streets of Chennai.
Suveen Sinha finds out what the tribe of modern, internet entrepreneurs who no longer run their first start-ups are up to.
'Love Sonia is a motion picture with the ambitions of a novel.' 'When I walked out of Love Sonia this Monday night, I walked out with a hushed audience that seemed too overcome by the raw power of the film to even pause for applause,' notes Sreehari Nair.
We sorted through countless photographs taken around the world to come up with the top photos of 2019. Together these images tell the story of the year -- capturing moments of hope and heartbreak, triumph and tragedy.
Rediff.com's Rajesh Karkera shares his impressions from the Kochi-Muziris Biennale, India's landmark artistic extravaganza.
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
Rediff.com reproduces the 1997 feature about Laxman, his passion for crows, and of course, his genius.
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